Alliance System and New Imperialism Essay - 949 Words

Alliance System and New Imperialism Jessica Gray, Bernadine Cross, Tameka Freeman, Rikia Wyatt His/114 January 4, 2012 Darrett Pullins Alliance System and New Imperialism Otto Von Bismarck formed of designed the European balance of power. The power was known as the Big Five Britain, France, Germany, Austria-Hungary, and Russia. Between 1870 and 1914 the competition within the European states for territory dominance and control caused separation. Bismarck departed from office in 1890 which caused the disintegration of the European balance of power. In 1914 peace was no longer guaranteed when Europe divided into two camps. The formation of the National Units of Germany and Italy justified Nationalist aspirations of expansion.†¦show more content†¦The prosperity of Russia’s economics depended on the trade of grain. The Alliances were formed because of these weaknesses and of the tensions between France and Germany. Russia’s fear of becoming landlocked contributed to the forming of the Alliance. Germany’s navy expanded during the early 1900s and by World War I the German navy was the second largest in the world. â€Å"Russia, France, and Britain formed the Triple Entente to set the fuse for war† (The German Empire, Article, 2010). Kaiser Wilhelm I’s was replaced by a king who was ill. He served as a temporary standby until Wilhelm II gained power and took over the throne. Wilhelm II feared Bismarck’s power so he was forced to step down and retire. Even though Bismarck retired as prime minister his policies continued. A few major events occurred prior to World War I during Wilhelm II’s reign in the 19th century. Economic growth caused capital-labor issues to arise in Germany during this time. Wilhelm II’s practices of foreign affairs polici es were often contradictory. Even though Wilhelm II had developed a friendship with Germany and Great Britain; his imperialistic policies forced an alliance among Britain, Russia, and France. Wilhelm II supported Austria in the Balkans and supported Russia in its affairs with East Asia. â€Å"Wilhelm II also believed that the Triple Alliance would help prevent war† (The German Empire,Show MoreRelatedEssay about The First World War (WWI)978 Words   |  4 PagesArchduke Francis Ferdinand but there are various deeper reasons that contributed to the commencement of the Great War. These factors include militarism, imperialism and the alliance systems. The first reason for the eruption of World War I was militarism. Militarism is the act of building up armies for threats against other countries – taking over new territory – and protection from other countries who decide to invade. In the 1900’s, the two strongest countries – Germany and Britain – decided to createRead MoreThe Great War748 Words   |  3 Pagescause the deaths of 10 million soldiers, but was the assassination the only cause of war? WWI wasnt just any war, it was also a new beginning and a new cause for a few of the european countries that had been involved. The end results for Germany had been the worst, which not only caused Germany to have a new purpose and have resentments, but also to make something new from that beaten Germany. WWI was caused by many factors but the ones that always come first to our attention could be one such asRead MoreCauses Of Imperialism843 Words   |  4 Pagesprevious historical tension and nationali sm. Supporting evidence shows that imperialism was the main and most significant factor of the outbreak of World War 1. Imperialism is defined as the domination of one country’s political, economic or cultural life by another. European countries had been establishing colonies and building empires since the late 1400’s. The period of 1850 to 1914 is often referred to as the â€Å"Age of Imperialism†, since a lot of powers used their military, technological and commercialRead MoreEurope on the Brink of Change at the Turn of the 20th Century1587 Words   |  7 Pages20th century Europe had undergone massive changes which had eventually pushed it into war. The main forces behind these changes were 1. Nationalism 2. Militarism 3. Imperialism 4. Socialism 5. Alliances 6. Unification These ideas and systems threatened the balance of power which caused a major war to break out. Nationalism is the feeling of loyalty shared by a group of people united by same language, race and culture; toRead MoreHis 114 Paper685 Words   |  3 PagesAlliance System and the New Imperialism Paper Team C Hist. 114 October 30, 2010 Paul Eber Alliance System and the New Imperialism Paper Great Britain is a country founded by a union, the Act of Union, of 1707, states that England and Scotland should be united into one kingdom which they named Great Britain! Even though it has been many years since the 19th and 20th century many facts have not changed from that time. Great Britain till this day is part of the greatest powers of allies of theRead MoreWorld War 1-Who Was to Blame1174 Words   |  5 Pagesalone, should be held responsible for the outbreak of the war, even though her military expansion, nationalism and imperialism have built tension throughout Europe. It was not only Germany who wanted to expand their empire or wanted to be the world power and also, the entangled alliance system was another cause of the war, and additionally, made the war ineluctable. Germany’s new Kaiser’s, Kaiser Wilhelm II, ambitious of Germany becoming the world power (nationalism), envying the British navyRead MoreEssay on Causes of World War I886 Words   |  4 Pagesultimately killing more than twenty million people. The cause of this war cannot be accredited to one single event but rather an assassination of a nation’s leader and many political philosophies including militarism, nationalism, imperialism and the formation of alliances. On Sunday June twenty-eighth 1914 in Sarajevo Bosnia the Archduke of Austria-Hungary, Francis Ferdinand, was shot and killed by an eighteen year old Bosnian Serb nationalist by the name of Gavrilo Princip. It is said that principRead MoreThe Modernization Of Japan During The Meiji Restoration971 Words   |  4 PagesImperialism not only influences colonial territories to better themselves because of a mother country believes it is in their best interest to do so or to further their realm of power, it can also have a significant impact on the people’s lives in terms of culture, education, environment, and even politics. Japan and Britain, for example, were two imperial systems that countered each other in many facets but also had strikingly similar qualities that had helped them become strong imperial powersRead MoreReasons for World War I802 Words   |  3 Pagespeople saw honor in fighting, however the soldiers who returned had a different story to tell. The three core th ings that played a major part in this war would have to be militarism and the countries that were forced to choose sides and form alliances, imperialism. Militarism played a significant part of the war especially in the German empire as well as a few other countries. For example the German empire taught there kids combat strategies and officer training from the time when they could readRead MoreCause and Effect on World War 1 Essay743 Words   |  3 Pagesin 1914 and lasting all the way until 1918. The war was between the world’s greatest powers as two opposing sides; the Central Powers and the Allies. It was a chain of events that had started this was which consist of key features such as imperialism, alliances, growth of militarism, crisis, and nationalism. It was the result of these accumulating factors that had eventually evoked war. The effects on World War One included over 8 million deaths, higher taxes, rationing of food, and etc. Imperialist

Comparing Social Norms in My Last Duchess by Robert...

When one travels, it is easy to observe differences in social norms from country to country. One may also observe differences within a country, for example, the social norms of a small town or village versus those of a large metropolis. Differences in social norms can also be observed in literature. This essay will focus on two dramatic monologues, which were written by poets who lived in England during the same period. Robert Browning published My last Duchess in 1842, the same year that Alfred Tennyson published Ulysses. Both poets lived in England during the Victorian era. However, by examining characters from their poetry, namely Alfonso in My Last Duchess and Odysseus in Ulysses, we can see that they express opposite norms concerning†¦show more content†¦In contrast, Tennyson’s Odysseus doesnt cling to the power, even though he has his own kingdom, which allows him to control his people. Instead, he chooses to â€Å"leave the sceptre and the isle† to his son, Telemachus (Line 34) (Tennyson 645). Then he says, â€Å"When I am gone. [Telemachus] works his works† (Line 43) (Tennyson 645). For this, he has no hesitation to lose his power over people. â€Å"[He] cannot rest from travel: [He] will drink Life to the less: all times [he has] enjoyed Greatly, [has] a suffered greatly† (Line 6-8) (Tennyson 645). Odysseus feels comfort from going around in his past, but now he can’t feel it from unchanged things like staying only in his island to do almost same thing every day. As he says that â€Å"how dull it is to pauses,† resting from his journey is not a great moment for him (Line 22) (Tennyson 645). As we can expect, he should live in luxury more than the other people in his country because he is a kind. But, he expresses that as â€Å"to rust unburnished, not to shine in use† (Line 23) (Tennyson 645). Life that he is away from finding new things doesnt mean anything for him. Whats more, he mentions that â€Å"gleams that untravelled world† (Line 20) (Tennyson 645). Odysseus considers the something new shines on his life and to meet a change isn’t fear. However, Alfonso is opposite from Odysseus. He is afraid of something changes. That’s why he kills his wife, and puts his last wife

Blank Essay Research Paper Joesph Conrads short free essay sample

Blank Essay, Research Paper Joesph Conrads short narrative the Lagoon, sarcasm is irrelivant in the signifier of Arsat. He has worked so hard to carry through felicity, and in the long tally, all of his work and endeavoring resulted to nil. With Diamelions decease, he comes to the point that he realizes he is entirely. Desolite in his isolation, he regrets the actions he has taken against his brother and his state. Doomed to stay in the placid yet merky laguna, boulder clay he takes his concluding breath and joins his brother and Diamelion. He riskes he took, and the torment of isolation, are all he has left to soothe him in his ain seclued sanctuary turned snake pit. Arsat had non moved. He stood lonely in the inquisitory sunlight ; and he looked beyond the great visible radiation of a unclouded twenty-four hours into the darkness of a universe of semblances. His can besides be looked as an epifany, but for this intent, the epifany can be straight related to the relization of the sarcasm of the narrative. He realizes he is entirely, and how nil worked out as he had orginally planned. At this minute of the narrative, Arsat is lost, and the sarcasm of his life is exaulted. Joesph Conrad made sarcasm a point in The Lagoon. Arsat is the victim of this sarcasm. Arsat s journey from his state with his brother and diamelion is the cause. He cared so much for himself and his felicity, that he sacrificed his brother. But in the terminal, he sacrifced his felicity. He cared really much for his brother, but he left him to be killed, even while he was shouting for them to delay. He did non turn back. So all the attempt and forfeit he endured for his felicity can to no avial. He remains in his isolation on the laguna. The sarcasm is that the thing that he sacrificed is the thing he misses most. What did I attention who died? I wanted peace in my ain bosom. This statement is the sarcasm itself. He was so selfish towards his brother, and he regreats his actions. He can non take his actions back, and now he must pay the monetary value. That is isolation till his deceasing twenty-four hours, and losing the felicity that he tried so difficult to carry through on the desoliate laguna. The subject in The Lagoon is isolation. Conrad relays that subject through many ways. One of which is the isolation of the laguna to the isolation of Arsat. Both lonely and unforgived. Arsat is islation and lonely. Not able to return to his fatherland, return his brother from the dead, or same Diamelon signifier joing his brother. Conrad besides relays a sense of isolation through the description of the laguna. And the white adult male s canoe, progressing up watercourse in the ephemeral perturbation of its ain devising, seemed to come in the portals of a land from which the really memory of gesture had everlastingly departed. This description of the entryway to the laguna, gives a feeling of a lifeless, yet booming, jungle. With no gesture except for the paddles, it convays a sense of lonleyness. Conrad relays that isolation to Arsat. He is entirely in his ain head, as the white adult male was coming up the transition manner. In The Lagoon Conrad the subject of isolation is made easly noticable. He convays that in two chief ways. First is the scene. The descripion as the white adult male travels in the get downing the narrative gives you the sense of an uninhabited, dark and menising topographic point. This Lagoon, set off from society, with a rumour of horrid things that lay inside it s degage country. Another manner is the isolation of Arsat. He is entirely and removed from society, merely as the laguna is. I shall non eat of slumber in this house, but I must foremost see my route. Now i can see nothing-see nil! There is no light and no peace in the universe # 8230 ; . Arsat now comfirms his complete remotion from society and from the lone thing that gave him justness in his ain head from his brothers decease, Diamelion. He is isolation non merely from his surrondings, but from the frame of head that there was one good ground for go forthing his brother behind. Now that two is gone. Joesph Conrad incorporated Symbolism greatly into the Lagoon. He straight related the desolate laguna to Arsat. He came to the relization that it was destin to be entirely for the remainder of his life. The complete isolation of the waste, still and merky H2O resembles the dark hereafter for Arsat. Another was to happen symbolism in The Lagoon is when Tuan is go forthing Arsat and he looks back to see the ripple H2O behind him. That could reflect on the new gestures turning in Arsat s caput. From the about motionless surronding on the manner, to the issue with rippling H2O, and occasionly blasts of air current during the conversation. Joesph Conrad usage of Symbolism in The Lagoon I feel is seen through the usage of screnery. One the manner in, the Erie hush and scilence of the entryway manner to the laguna resembels the manner Arsat feels about his hereafter. Arsat can see that Diamelion is traveling to decease shortly, and when she does, he will be destin to stay in the laguna by himself. Then the Sun rises with a alteration of scenery. This could typify the alteration in Arsat s head to the relization that something new will be coming. Then from behind the black and wavy line of the woods a column of aureate visible radiation shooting up into the celestial spheres and spread over the hemicycle of the eastern skyline. The Sun had risen. The alteration I feel straight relates to the alteration in Arsat. During the most of the narrative, the scenery is dark and monotonious. But so when Arsat enters the house because he heard a splash and he went to travel look into on Diamelion, so the Sun rises, and Arsat walks out and states- She burns no more. The symbol of the white chapeau, at the terminal of the book, is a symbol of good, of the captain # 8217 ; s commiseration and clemency for # 8221 ; his other self. # 8221 ; The point besides represents the physical farewell of the captain and Leggatt, who have throughout the narrative fused into one ( even the grammar finally refers to Leggatt and the captain as one individual, and the name Leggatt is used really infrequently throughout the book ) . The chapeau was the pinnacle of this linguistic communication and the captain # 8217 ; s designation with his secret ego: when he justifies giving the chapeau to Leggatt he says # 8220 ; I saw myself rolling barefooted, bareheaded, the Sun whipping on my dark canvass. I snatched off my floppy had and tried hastily in the dark to pound it on my other self. # 8221 ; That he leaves the chapeau is important, because it symbolizes the separating between the two. More significantly, and ironically, nevertheless, the chapeau literally points the manner to the Captain # 8217 ; s successful maneuvering of his ship to a safe topographic point, an act that insures his credence and the redemption of himself, his ship, and all those aboard the ship. The deduction, so, could be that by feel foring our # 8220 ; dark egos, # 8221 ; by accepting and assisting them to turn, we help ourselves, forgive ourselves, and enable ourselves to get away their ranges. Leggatt: Clearly, the individual of Leggatt is cardinal to the narrative, and highly symbolic. In one reading of # 8220 ; The Secret Sharer, # 8221 ; Leggatt represents a lawless, subrational side of the ego which may prevarication dormant until some minute of moral emphasis, and so must someway be encountered. Another similar reading holds that Leggatt represents the subconscious that is buried deep within all. This map is revealed to the reader through many ways. The first point that emphasizes this is Leggatt # 8217 ; s arrant deficiency of reason ( contrary to the Captain # 8217 ; s descriptions of him as intelligent # 8217 ; and sane # 8217 ; ) . In his ain component, the fishlike Leggatt loses even the visual aspect of reason: # 8220 ; With a pant I saw revealed to my stare a brace of pess, the long legs, a wide livid back immersed right up to the cervix in a light-green bony freshness. . . He was complete but for the caput. A headless cadaver! # 8221 ; If Leggatt symbolically lacks a caput, as this description and his name imply, so there is small surprise in his happening the storyteller # 8217 ; s hat useless when at the terminal of the narrative he returns to his native component. Besides, the fact that he was a bare swimmer when he was discovered, is of importance, because that symbolizes that he is stripped to his basic substance, in his native component, the H2O. However, because his colour is # 8220 ; pale # 8221 ; and he is immersed in # 8221 ; a greenish bony freshness, # 8221 ; in Conrad # 8217 ; s footings means that he is by and large an evil individual ( the picket # 8217 ; and miss of colour ) , nevertheless, the light coming from him indicates the possibility of something good evolving from him in the terminal, that is, the captain # 8217 ; s ripening. The thought of a map is an of import symbol. They are ushers, records of geographic expedition. They have double intents in that they unlock enigmas by puting out the geographics of unknown lands and they create more mystery by animating wonder about unknown lands on and off the map. At that clip there were many clean infinites on the Earth, and when I saw one that looked peculiarly ask foring on a map ( but they all look that ) I would set my finger on it and state, # 8220 ; When I turn up I will travel at that place. . True, by this clip it was non a clean infinite any more. I had got filled in since my boyhood with rivers and lakes and names. It had ceased to be a clean infinite of delightful enigma # 8212 ; a white spot for a male child to woolgather gloriously over. It had become a topographic point of darkness. # 8221 ; This quotation mark could besides be realated to the darkness in the human soul. # 8221 ; Darkness # 8221 ; is a debatable word with several significances. It is ab initio referred to in the context of maps topographic points of darkness have been colored in ; therefore they have been settled by adventurers and colonialists. The river is another of import symbol. Always traveling, non really predictable, the gateway to a wider universe, it is an first-class metaphor for Marlow # 8217 ; s life. Marlow says as a kid he had a # 8220 ; passion # 8221 ; for maps, for the # 8220 ; glorifications of exploration. # 8221 ; Although this description seems really positive, it sounds baleful. The tone is of one who recalls childhood impressions with resentment and sorrow. The reader can generalize these thoughts merely by taking into history the first description of Marlow. The sallow tegument and deep-set cheeks do non portray him as healthy or happy. He has had the opportunity to experience has ruined him in some regard. This is Conrad # 8217 ; s manner of set uping the overall construction of the novel. A major subject that Conrad explores in the Secret Sharer is the relationship between the land and sea, elements that he besides compares other topographic points in his authorship. On one manus, Conrad rejoices in the great beauty, repose, and enormousness of the sea, compared with the sordidness, anxiousness, and unrest of the land. Yet, from the land come the energies, some of them evil, which give significance to the clime of the sea. Geographic dichotomy finally gives form to the dichotomy of the ego. Heart of Darkness has been considered for most of this century non merely as a literary classic, but as a powerful indictment of the immoralities of imperialism. It reflects the barbarian repressions carried out in the Congo by the Belgians in one of the largest Acts of the Apostless of race murder committed up to that clip. Conrad # 8217 ; s storyteller brushs at the terminal of the narrative aman named Kurtz, deceasing, insane, and guilty of indefinable atrociousnesss. More late, African critics like Chinua Achebe have pointed out that the narrative can be read as a racialist or colonialist fable in which Africans are depicted as innately irrational and violent, and in which Africa itself is reduced to a metaphor for that which white Europeans fear withinthemselves. The people of Africa and the land they live in remain inscrutably foreigner, other. The rubric, they argue, impliesthat Africa is the # 8220 ; bosom of darkness, # 8221 ; where Whites who # 8220 ; travel native # 8221 ; hazard let go ofing the # 8220 ; barbarian # 8221 ; within themselves.Defenders of Conrad sometimes argue that the storyteller does non talk in Conrad # 8217 ; s ain voice, and that a bed of sarcasm conceals his true positions.