Rembrandt’s Clever Devices in Illustrating a Biblical Story :: Essays Papers

Rembrandts Clever Devices in Illustrating a Biblical account statementThe story of Joseph and Potiphars married woman is told in the startle book of the Bible, Genesis, Chapter 39. Joseph was sold into slavery by his brothers and bought by Potiphar, a high-ranking official in the Pharaohs service. The Lord was with Joseph and gave him success in everything he did. This de joyoused Potiphar and before long Joseph was given the highest position in the household, and left in charge when Potiphar was away. Now Potiphars wife found Joseph to be very good spirit and had approached him several times saying come to make do with me. Joseph being a man of God would not sin against his master or the Lord, so he refused her. One day when all the servants were gone, Joseph entered the house and Potiphars wife approached him and while holding on to his cloak and asked again for him to come to bed with her. Joseph refused and left the house loss his cloak behind. Potiphar Wife screamed for help saying that Joseph had attacked and move to sleep with her. When her husband came home she told him the same false story. Potiphar was so angry with Joseph he had him locked up in Pharaohs prison. But while Joseph was in the prison, the Lord was with him. This is the overt matter for which Rembrandt choose to do his representational painting by. The content of the painting all reveals Rembrandts interpretation of the story.Rembrandt forefront Ryn chose this particular story as the subject of his floor painting completed in 1655, under the title of Joseph Accused By Potiphars Wife. After conducting research, my first perceptions about the value, or relative degree of igniter or darkness, in the painting did not change, but instead I learned that Rembrandts use of light and dark was both purposeful and a technique well-known to the artists of his time. When I first observed this painting, I thought how dark everything seemed. The only exceptions to the darkness ar the bed and Potiphars wife, both of which are flooded in light almost as if a spotlight were thrown on her and the bed. Some light shines on Josephs face and from behind him like a tintinnabulation around his body, but this light is very dim.Rembrandts Clever Devices in Illustrating a Biblical Story Essays PapersRembrandts Clever Devices in Illustrating a Biblical StoryThe story of Joseph and Potiphars wife is told in the first book of the Bible, Genesis, Chapter 39. Joseph was sold into slavery by his brothers and bought by Potiphar, a high-ranking official in the Pharaohs service. The Lord was with Joseph and gave him success in everything he did. This pleased Potiphar and before long Joseph was given the highest position in the household, and left in charge when Potiphar was away. Now Potiphars wife found Joseph to be very good looking and had approached him several times saying come to bed with me. Joseph being a man of God would not sin against his master or the Lord, so he refused her. One day when all the servants were gone, Joseph entered the house and Potiphars wife approached him and while holding on to his cloak and asked again for him to come to bed with her. Joseph refused and left the house leaving his cloak behind. Potiphar Wife screamed for help saying that Joseph had attacked and tried to sleep with her. When her husband came home she told him the same false story. Potiphar was so angry with Joseph he had him locked up in Pharaohs prison. But while Joseph was in the prison, the Lord was with him. This is the subject matter for which Rembrandt choose to do his representational painting by. The content of the painting all reveals Rembrandts interpretation of the story.Rembrandt Van Ryn chose this particular story as the subject of his narrative painting completed in 1655, under the title of Joseph Accused By Potiphars Wife. After conducting research, my first perceptions about the value, or relative degree of lightness or darknes s, in the painting did not change, but instead I learned that Rembrandts use of light and dark was both purposeful and a technique well-known to the artists of his time. When I first observed this painting, I thought how dark everything seemed. The only exceptions to the darkness are the bed and Potiphars wife, both of which are flooded in light almost as if a spotlight were thrown on her and the bed. Some light shines on Josephs face and from behind him like a halo around his body, but this light is very dim.